Best results are obtained by scanning it next to a step chart such as the Kodak Q-13 into a file tagged with Adobe RGB (1998) color space.Ĭolor quality is a function of gamut- the range of saturated colors a print can reproduce, as well as overall color response- the relationship between file pixels and print color.
Scan it on a flatbed scanner, preferably one that has been profiled. 
Print the test pattern, noting (as applicable) the printer, paper, ink, working color space, ICC profile, rendering intent, color engine, and miscellaneous software settings. Assign a profile to the test pattern, if needed. The essential steps in running Print Test are You can observe response irregularities by viewing the test print, but you need to run Print Test to obtain detailed measurements of the print's color and tonal response. measures these factors from a printed test pattern scanned on a flatbed scanner. Dmax, the deepest printable black tone: a very important print quality factor. Tonal response, the relation between pixels and print density, and. Color gamut, the range of saturated colors a print can reproduce, i.e., the limits of color response,. Color response, the relationship between pixels in the image file and colors in the print,. Measures several of the key factors that contribute to photographic print quality, including You always want to place the negative in the carrier emulsion side down.Gamutvision Print Test Measure print quality factors: color response, tonal response, and Dmax Depending on what carrier type you have or an enlarger type you have, be aware that, that may be an issue. If it's sitting atop the pegs, when you close the carrier, you will actually buckle your film and you may damage it. Remember, in this particular carrier, these pegs have slots in the side, and the negative needs to slide into those slots. Typically, when I'm doing this in the darkroom, too, I'll use the enlarger lamp as a light source to help me precisely align a negative within the carrier. First, we've got the negative carrier and I've placed the negative in the carrier. For those of you, "Oh, this is new material," thank me later. In this movie, I want to demonstrate single-filter printing with a test print, but while we go through this, I'm going to take a little extra time to run you through the steps of preparation as far as the negative and the enlarger.
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